Published: 2024-03-05

Editorial

Editorial: Voces testimoniales: apuntes para la creación de unas memorias críticas sobre América Latina y el Caribe, 1970–2021

Juan Esteban Villegas Restrepo, Carmen Álvarez Lobato, Juan Manuel Berdeja

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Articles

Testimony of the ineffable. Narrative technique and rhetoric in El deshabitado (2016), by Javier Sicilia

Juan Berdeja Acevedo

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Testimony from the margin. El entenado, by Juan José Saer, and the sense of history

Carmen Alvarez Lobato

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The configuration of the "prisoner of war": Nunca estuve sola (1988) by Nidia Díaz

Grecia Samai Cuamatzin Nieves

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A hallucinated literary man in search of verses. Notes on the sublime, terror and the sinister in Insensatez, by Horacio Castellanos Moya

Fernando Adolfo Morales Orozco

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The traces of narrative heterogeneity in Cristina Rivera Garza’s Autobiography of Cotton (2020)

Marco Polo Taboada Hernández

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A viscous and porous body of water: The Magdalena River in Los escogidos and En el brazo del río

Santiago Alarcón-Tobón

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The dam is a form of border. A notion of environmental historical memory in the work of Carolina Caycedo

Carolina Sánchez

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Manigua epistemology: Riverine thought for epistemic justice

Jhonmer Hinestroza Ramírez

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If there is no one to till the land, how do we live? Notion of ‘People’ in the protest vallenato of Máximo Jiménez

Federico Ayazo Vélez

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Con su música en otra parte: músicos europeos en la Orquesta Sinfónica de Antioquia, entre 1949 y 1952

Alejandra Isaza Velásquez

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