El problema de la representación en dos falsos documentales de Luis Ospina

Abstract

In Colombia there exist audio-visual eminent producers but that on not having been inside the industry, but rather in the marginality, are only acquaintances in closed and academic circles. It is the case of the caleño Luis Ospina, who across his documentaries and videoes has done social critiques and has portrayed the cultural local identity that he lives. This text offers an analysis of two false documentaries of this producer from the problem that raises the representation and of the concept of false documentaries.