The concept of tradition in alternative rock based on a hermeneutic reading from the Hans-Georg Gadamer’s philosophical proposal

Main Article Content

César Augusto González Ortiz
https://orcid.org/0000-0002-7962-3416

Abstract

This text is focused around the question of how the concept of tradition can work in alternative rock based on a hermeneutical reading from the philosophical proposal of Hans-Georg Gadamer, which is meant to, it is pretended to recognize how tradition has been and continues to be present in each decade until now within the alternative rock genre. From this conception, there is a proposal for three ways to do interpret such concept. The first one takes the concept of tradition elaborated by Gadamer to discover the possible relation of such concept (tradition) within the history of alternative rock and contemporaneity. The second one, has to do with the way in which, the concept of tradition operates and is current in the present through the history of alternative rock and somehow continues to be present in contemporaneity. Last, the rocker is observed, as the main character of this story; he is the one capable of calling out the supposed normality, he is the one who questions, is the one that lurks with his back towards the present, without losing the panorama of the past. The tasks of the contemporary man, is to try to rescue a little bit of the thought that preceded him and based on this, to set his view towards the future, without this view to the past being interpreted as a regression but instead as a comprehension, an understanding on the shoulders of giants.

Keywords:
Hermeneutics, Tradition, History of Rock, Alternative Rock, Underground Music, Romanticism, Gadamer, Contemporaneity, Ethics, Esthetics, Counterculture

Article Details

Author Biography

César Augusto González Ortiz, Pontifical Bolivarian University

Magíster (c) en Filosofía y Licenciado en Educación Básica con Énfasis en Humanidades e Idioma Extranjero Inglés por la Universidad Pontificia Bolivariana, Colombia. Integrante del grupo de investigación, Epimeleia, Hermenéutica, Estética y Lenguajes.

References

Adorno, Theodor. Teoría estética. Madrid: Taurus, 1971.

Agamben, Giorgio. Desnudez. Traducido por Mercedes Ruvituso y María Teresa D’Mez. Barcelona: Anagrama, 2011.

ALLMUSIC. “Black Flag”. https://www.allmusic.com/artist/black-flag-mn0000091650/.

Arendt, Hannah. La condición humana. Buenos Aires: Paidós, 2009.

AtlanticLIVE. “Foo Fighters’ Dave Grohl Talks Music + Making Space for Creativity”. https://www.youtube.com/watch?v=X2C3NOGGqVM.

Audioslave. Be Yourself. Europa: Interscope Records, 2005. CD.

Bachelard, Gaston. “La noción de obstáculo epistemológico”. En La formación del espíritu científico: Contribución a un psicoanálisis del conocimiento científico, 15-26. México: Siglo XXI, 2000.

Bauman, Zygmunt. Modernidad líquida. México: Fondo de Cultura Económica, 2005.

BBC One. “Kings of Glam”. https://www.youtube.com/watch?v=1C8tu69LV20.

BBC. Seven Age of Rock. Londres: BBC, 2007. Documental. https://www.youtube.com/watch?v=myTkqTm_k8k&t=290s

Berlin, Isaiah. Las raíces del romanticismo. Traducido por Silvina Mari. Madrid: Taurus, 2000.

Bowie, David. The Man Who Sold the World. Reino Unido: Mercury Records RCA, 1970. Vinilo.

Colli, Giorgio. El nacimiento de la filosofía. Traducido por Gilbert Mathieu. Cali: Universidad del Valle, 1990.

Coupland, Douglas. Tales for an Accelerated Culture. Londres: Abacus, 1996.

Debord, Guy. La societé du espectacle. París: Buchet, 1972.

Debray, Régis. Transmitir. Buenos Aires: Manantial, 1997.

Doku Menta. “Hair Metal - glam rock Documental en español (1998)”. https://www.youtube.com/watch?v=PqUr5DRmHZU.

Dumézil, Georges. “Un homme heureux”. Le Nouvel Observateur, 29 de junio de 1984.

Dylan, Bob. Knockin’ On Heaven’s Door. Estados Unidos: Columbia Records, 1973. Vinilo.

FeelNumb. “Dave Grohl on the influence of The Beatles & Ringo Starr, October 23, 2013”. https://www.youtube.com/watch?v=9dRG_PaZYjM.

Foucault, Michel. Tecnologías del yo. Buenos Aires: Paidós, 2015.

François, Claude. My Way (Comme d’habitude). Chicago: Universal Music Division Mercury Records, 1967. Vinilo.

Gadamer, Hans-Georg. Verdad y método I. Salamanca: Sígueme, 2012.

Girlschool. Emergency. Londres: Bronze Rocks, 1981. Vinilo.

Grondin, Jean. ¿Qué es la hermenéutica? Barcelona: Herder, 2008.

Grondin, Jean. Introducción a Gadamer. Barcelona: Herder, 2003.

Guns N’ Roses. “Knockin’ On Heaven’s Door”. En Days of Thunder. Santa Mónica: Geffen Records, 1990. CD.

Huarte Cuéllar, Renato. “El concepto de ‘tradición’ en la filosofía de las ciencias sociales y humanas”. Nóesis: Revista de Ciencias Sociales y Humanidades 21, n.º 42 (2012): 18-39. https://doi.org/10.20983/noesis.2012.2.1

Infra-Riot. “Emergency”. En Still out of Order. Nueva Zelanda: Secret Records, 1982. Vinilo.

Jackson, Michael. Smooth Criminal. Europa: Epic, 1987. Vinilo.

Johansson, Thomas. “‘Dead celebrities are de facto amusing’: A postmodern analysis of Generation X: Tales for an Accelerated Culture”. Tesis de grado. Högskolan i Halmsta, 2010. https://www.diva-portal.org/smash/record.jsf?pid=diva2%3A306901&dswid=1691.

KBCS. “DJ Niko, Interview with Michael Azerrad, author of ‘Our Band Could Be Your Life’”. https://www.youtube.com/watch?v=Z-WKDVgBFaM.

Led Zeppelin. “Stairway to Heaven”. En Mothership. Australia: Swan Song, 2007. CD.

MacDonald, Bruno. Six Degrees of Rock Connections, the Complete Road Map of Rock ‘N’ Roll. Birmingham: Sweetwater Press, 2017.

Maffesoli, Michel. El tiempo de las tribus. Vilassar de Dalt: Icaria, 1990.

Moroz, Hal. President Ronald Reagan: Let’s Make America Great Again! Carolina del Sur: CreateSpace, 2013.

MötorHead. “Emergency”. En No Remorse. Reino Unido: Chiswick Records, 1984.

MTV. “MTV history”. https://www.mtvpress.com/networks/mtv-history.

Nietzsche, Friedrich. Así habló Zaratustra. Madrid: Alianza, 2015.

Nietzsche, Friedrich. Ecce homo: How one becomes what one is; The antichrist: A curse on christianity. Nueva York: Algora Publishing, 2004.

Nietzsche, Friedrich. El nacimiento de la tragedia. Madrid: Alianza, 2015.

Nirvana. “Endless, Nameless”. En Nevermind. Van Nuys: DGC, 1991. CD.

Nirvana. Come as You Are. Estados Unidos: DGC, 1992. CD.

Peñuela Cano, Víctor Julio. “Contracultura y underground”. https://kupdf.net/download/3-contra-cultura_5b732dcbe2b6f535788b7855_pdf.

Phil. “Dave Grohl at Lemmy’s funeral”. https://www.youtube.com/watch?v=aaATX-7209c.

Priotti, Mónica, Roxana Molterni y Sonia Bengoechea. El mundo moderno. Rosario: Homo Sapiens, 2006.

Racionero, Luis. Filosofía del underground. Barcelona: Anagrama, 1987.

RAE (Real Academia Española). “Tradición”. En Diccionario de la lengua española. Madrid: Santillana, 2014. https://dle.rae.es/tradici%C3%B3n?m=form.

REMHQ. “History”. https://www.remhq.com/history/.

Rowell, Lewis. Introducción a la filosofía de la música. Barcelona: Gedisa, 1985.

Sabato, Ernesto. La resistencia. Barcelona: Seix Barral, 2011.

Sex Pistols. “God Save the Queen”. En Never Mind the Bollocks, Here’s the Sex Pistols. Países Bajos: Virgin, 1977. Vinilo.

Schopenhauer, Arthur. El mundo como voluntad y representación I. Madrid: Trotta, 2003.

Sierra i Fabra, Jordi. Historia del rock: La música que cambió el mundo. Madrid: Siruela, 2016.

The Beatles. Come Together / Something. Italia: EMI, 1969. Vinilo.

The Kennedy Center. “Stairway to Heaven (Led Zeppelin Tribute): Heart’ Ann and Nancy Wilson - 2012 Kennedy Center Honors”. https://www.youtube.com/watch?v=2u-PjvRyr0I